The Bad Cinderella musical is set in Belleville, a kingdom that values beauty above all. That makes Cinderella - a brash, goth, unruly maid - the town outcast. Her one friend is Sebastian, the awkward younger brother of Prince Charming, and neither he nor Cinderella realize their feelings for the other are mutual. Cinderella sets out to become beautiful to win him over, with the help of a plastic-surgery "godmother" - but as the fairytale goes, the transformation only lasts until midnight. Afterward, she's left to discover that inner beauty is what really matters.

The Sweeney Todd musical is a tale of malice, murder, and meat pies. The title character, a barber from London, has returned to the city after being wrongly imprisoned by a merciless judge many years before. He's determined to reunite with his family, but equally importantly, get revenge, and uses his old profession to do it. After all, his razors can cut not just hair, but also throats. Todd finds an unlikely accomplice in a meat pie shop owner named Mrs. Lovett, who, unbeknownst to her customers, disposes of Todd's victims by serving them up as dinner. Todd initially plans to only target the judge and his servant, but his and Mrs. Lovett's scheme quickly spirals out of control.

Based on one of the best-loved works of fiction - winner of the Man Booker Prize, selling over fifteen million copies worldwide - LIFE OF PI is a breath-taking new theatrical adaptation of an epic journey of endurance and hope. After a cargo ship sinks in the middle of the vast Pacific Ocean, a sixteen-year-old boy name Pi is stranded on a lifeboat with four other survivors - a hyena, a zebra, an orangutan, and a 450-pound Royal Bengal tiger. Time is against them, nature is harsh, who will survive?

FastHorse's satire centers on an amateur theatre troupe tasked with creating a Thanksgiving play to perform at an elementary school. Wanting to center the Native American perspective in the story of the holiday, the director hires a Native actress. Only, as they find out too late, she isn't actually Native; like the other three in the group, she's white. Absurdity ensues as the troupe tries to keep their production politically correct and culturally sensitive, and even with the best intentions, there's a whole feast of issues to contend with.

It is 1946, the war is over, and a resurgent New York is beginning to rebuild. As steel beams swing overhead, a collection of artists has dreams as big and diverse as the city itself. But do these singers, dancers, musicians and makers have what it takes to survive this place, let alone to succeed? If they can make it there, they can make it anywhere.