The New York Times - Recommended
"Earnest, sentimental and intermittently charming, this family production offers a slice of American history that here tastes mostly like apple pie. Whether the show engages you will partly depend on how easily you accept a walking, talking statue...The strengths of 'Liberty' include its songs. It also has a winning star in the teenage Ms. Shapiro, who brings pure conviction to her peculiar role. Under Pappas's direction, the rest of the cast is largely impressive."
NorthJersey - Somewhat Recommended
"Feels like it was purposely written on a grade-school level to attract families. I am not sure how many parents will find the show all that involving, but children should enjoy it...Shapiro needs much more guidance. Her singing voice has moments of loveliness...I will place the blame here with Pappas who has not guided her properly. She has definite possibilities...All these reservations could be rectified for the show itself has an appealing quality, it just needs to be executed to its full advantage."
CurtainUp - Recommended
"Family-friendly, it surely beats an old history text for teaching you about that legendary Lady…The 17 musical numbers range from the sassy to the sublime…Goldstein adumbrates the key events of its journey with symbolism rather than retelling its history in a strict sense. And, as helmed by Pappas, it works. Abigail Shapiro turns in a solid performance as the protagonist Liberty. She pulls off her lead role with surprising confidence and has the pipes to belt out her various songs."
Talkin Broadway - Not Recommended
"Because Liberty isn't really a character—and certainly isn't a person—her quest is as meaningless as it is preachy, which is to say quite a lot. And given the stiff posture, unyielding facial expressions, and stilted singing voice Shapiro brings to the part, she's not even especially likable. (She is, however, utterly convincing as a statue.) There's no point to any of this except for Liberty to teach and for us to listen, which is made harder still by the lessons being not that much fun."
TheaterScene.net - Somewhat Recommended
"The question is who is the intended audience. It is too simplistic for adults and has too little action for children. With a bouncy score and easily accessible lyrics, ‘Liberty' is pleasant without being exceptional. It does prove timely with lines like ‘America, America for the real Americans,' ‘Isn't it time we closed the golden door?' and ‘You can't put up a wall' which suggests nothing much has changed in the last 132 years."
Broadway Blog - Somewhat Recommended
"Misleading as its history may be, and middling as are much of its book and score (little of which attempts to suggest the music of the day), 'Liberty' nonetheless serves as a moderately effective work of historical propaganda on the importance of immigration in making America great...It really doesn't get your red, white, and blues unfurled until its final moments when the company sings Lazarus's words while striking images (I wish there were more) of the statue's construction are shown."
Theater In The Now - Not Recommended
"An informative musical that hopes to teach, which gets in the way of a clean, fleshed-out story...Whether it was the canned instrumentation or the music itself, the score was very much cartoony, but not in a good way…‘Liberty' has a capable company. It's evident these performers are seasoned. It's a shame their material didn't match their talent...The story of Lady Liberty is cool in concept but this musical didn't know what it wanted to be."
Stage Buddy - Somewhat Recommended
"The show's pop-oriented songs are serviceable but not innovative or particularly tuneful. Some numbers are sung with ringing fervor...Doing the score no big favors is the fact that it is presented as a recorded soundtrack…The libretto is probably the show's strongest aspect. Although 'Liberty' seems a little heavy-handed at times in the heart-on-sleeve way it wears its pro-immigrant sentiments, the story clearly drew in most of the adults and kids who saw it with me."
Theater Pizzazz - Highly Recommended
"A perfectly timed, unfortunately relevant and utterly thrilling musical…The entire cast is excellent…While the performance of Regina Schuyler veers into caricature, the direction by Evan Pappas is otherwise admirable…It's a family-friendly show and even very little children were engrossed. It addresses our aspirations, the America of our hopes and dreams and, yes, this reviewer wept!"
Off Off Online - Somewhat Recommended
"The production is fun, and kid-friendly, but very uneven. While the libretto is outstanding, the music by Jon Goldstein sounds canned; all the tracks seem to have been created on a synthesizer. The stage also feels small, not only because it is small, but because Evan Pappas's staging lacks dynamics and, at times, deflates the production. Some choreographed movement would have given the actors some breadth and depth and the production real musical-theater flair."
Times Square Chronicles - Not Recommended
"Liberty' is blessed with some talented singers, a story that should capture American's heart, but sadly doesn't...This musical seems amateurish and trite. Maybe if we cared about the statue, the show would have made us care just a little bit more…This 80-minute show, is filled with seventeen songs, that all sound alike. The canned music for the most part overpowers the terrific singers…The staging by by Evan Pappas seems forced and extremely boring after the first 20 minutes."
On Stage Blog - Highly Recommended
"Liberty is portrayed as a young girl (delightful performance by Abigail Shapiro)...The famous lines 'Give me your tired, your poor…' are made into a beautiful song 'The New Colossus' and makes everybody's eyes sparkle with tears...'Liberty, a Monumental New Musical' is a very engaging rendition of history from human perspective. Directed by Evan Pappas, it is a delightful family show."
