NY1 - Recommended
"The kitchen sink drama is dated now and if it's lost much of its punch, the Pearl Theatre's admirable revival still manages to find resonance in its working-class themes...It takes a seasoned director to plumb the emotional layers in this complex work, and Austin Pendleton is just the man. His staging is naturalistic and a bit surreal...He also delivers with a strong ensemble nicely shading Delaney's grey landscape with dark and light hues."
Wall Street Journal - Highly Recommended
"It is a marvelous piece of work, at once devastatingly blunt and uncommonly poignant. Austin Pendleton, the director, and his five-person cast have done right by Delaney's play...Pendleton has given 'A Taste of Honey' a staging that serves the play with scrupulous, self-effacing care...At a moment when Broadway has next to nothing to offer in the way of straight plays, Mr. Pendleton now has two shows running on 42nd Street. They're both excellent."
Time Out New York - Recommended
"It's a mystery why Shelagh Delaney's funny, touching and extraordinarily prescient 1958 play has sat on the shelf for so long...Director Austin Pendleton has done audiences a favor in dusting off the stage play...This story feels surprisingly contemporary...Although Rachel Botchan, as hard-partying Helen, comes across as just a bit too chipper (she could use a dash more slattern), Rebekah Brockman is a revelation in the role of quirky, outspoken Jo."
Village Voice - Recommended
"The fascinations of watching Jo make a case for why this play—which is both a revealing document of its era and at times maddeningly repetitive—deserves attention today…In Brockman's hands, Delaney's heroine is stubborn, unsentimental, and fascinatingly difficult to read…The secondary characters, though, don't offer the same intriguing complexities…Still, 'Honey' justifies its revival, offering a perspective we don't often see onstage: a working-class-female struggle to survive."
CurtainUp - Recommended
"Even a director as capable and well versed in every theatrical style as Mr. Pendleton can't make this 57-year-old play send even a ripple of shock waves through contemporary audiences who've had plenty of exposure to working-class settings, about interracial romances, single mothers and gay men. But don't write this revival off as dated just yet...Under Pendleton's direction the actors have for the most part brought Delaney's characters to refreshingly authentic life."
TheaterMania - Somewhat Recommended
"The script vibrates with life, energy, and the will to persevere with laughter in the face of massive social obstacles. Sadly, little of that spirit is present in Pendleton's workmanlike but unremarkable staging…The production benefits from a stellar leading lady…Her primary costars are also excellent...Still, none of them are able to pep up the proceedings…‘A Taste of Honey' is a thrilling and unconventional work of theater, but you wouldn't really know it from this sleepy revival."
Theatre Is Easy - Recommended
"While sprinkled with humor and heart, the play feels untethered to structure and a bit too sentimental at moments—perhaps typical of a young writer (Delaney was 18 when she penned it)...Directed by the accomplished Austin Pendleton, there is a strong sense of honoring the playwright's intentions within his direction....Overall, while the pace and dialects are uneven at times, the Pearl's production of 'A Taste of Honey' is a fair revival of a rarely produced play."
Scribicide - Somewhat Recommended
"The cast here is uneven, and in particular the British accents come and go as they please..In 1958, 'A Taste of Honey' must have surely struck audiences as fearless...[but] the work has not aged especially well: nothing of what remains is particularly striking or moving."
Huffington Post - Somewhat Recommended
"Despite some good performances and charming moments, 'Fiorello!' suffers from a dated book, while the songs seem repetitive...The production is too peppy, given the darker elements of the story. Austin Scott Lombardi does his best as Fiorello, and he has his moments. But the musical feels like a summer-stock production by college students just eager to put on a show."
Broadway Blog - Somewhat Recommended
"'The Pearl' production...adequately conveys Delaney's world but there's very little about it that's distinctive. For one thing, the actors' regional British accents are too notably inconsistent to create a truthful North English atmosphere. For another, despite the energy expended, most of the actors are unable to convincingly embody their roles, making the play's two hours and twenty minutes feel much longer."
Stage Buddy - Recommended
"The dimensions of the Greater Manchester dialect, not an easy undertaking, are accomplished at a pace that while occasionally wandering into Scotland via Liverpool, hook onto the pivotal cadence of the wittier exchanges, of which there are plenty...Botchan plays Helen with a likability that is less apparent on the page...Director and all-rounder Austin Pendleton, together with a great cast, have successfully revitalized a time and a place that prefaced the ‘British Invasion.'"
Theater Pizzazz - Highly Recommended
"‘A Taste of Honey' has endured the test of time both for its strikingly evergreen themes as well as its powerful, well-constructed monologues…Its central themes are as alive today as they were almost 60 years ago…Director Austin Pendleton's smartly-crafted staging allows the play to easily transcend its era and present an immediacy to the audience…Seeing 'A Taste of Honey' is an opportunity to see, in a beautifully written play, that the more things change, the more they remain the same."
Woman Around Town - Recommended
"Dialogue is effective, characters well drawn...Though director Austin Pendleton does a superb job with natural characterization, pacing, and stage visuals, he makes, to my mind, two mistakes that annoyingly interfere with dramatic impact...It's as if Pendleton were insecure about the piece standing on its own...Acting is wonderful. Accents are excellent (and intelligible, not a given.) Unique physicality is well crafted."
Off Off Online - Recommended
"Jo's fractious relationship with her mother is, in Delaney's play, the fault of both characters...It's a measure of Delaney's maturity that she can create characters so complex and show the struggles of their lives so vividly…As a dream play, it's not as easy to adjust to or as persuasive as, say, ‘The Glass Menagerie'…It has perhaps frayed a bit at the edges, but it's still a work that continually surprises with its modern feel. The Pearl's season opener is a welcome opportunity to see it."
Times Square Chronicles - Not Recommended
"'A Taste of Honey' is no longer revolutionary; it is almost 3 hours of boredom...For some reason, Mr. Pendleton likes to draw out his plays and the end result is just tedious. What makes this show worth watching is the lead actress. Brockman is a spitfire whose vulnerability and strength shines through...'A Taste of Honey' needed to be cut, re-shaped and seen in a different light. Under this light it just pales."
Exeunt Magazine - Somewhat Recommended
"The play may have the occasional dated reference but the issues and urgent voices within it remain vital and moving. However, Pendleton's uneven production does not offer the best showcase…In this production, there's a self-consciousness to the performances that holds them back…Nevertheless, Delaney's audacious writing still thrills. This rare revival offers an opportunity for the voices of these complicated women in messy relationships to, at long last, be heard."
TheaterScene.com - Recommended
"The work surprisingly resonates with our contemporary culture and social issues today...The acting is mostly effective...Theatergoers who have never seen this play should take advantage of this opportunity to see it staged with sensitivity by Pendleton. Pendleton, who has made a name for himself for his treatment of the classics, proves once again that he can dust off an old play and make it come alive for a new generation."
BroadwaySelect - Recommended
"The play may indeed make you gasp not from shock, but because of Delaney's astonishing ability to be smart, fair-minded and even prescient...Pendleton steers his five performers into displaying the best kind of acting – which seems like no acting at all...He brings the musicians into the apartment and has two of them sit on the couch...It's distracting — and the musicians look none too pleased to be there."
Plays To See - Somewhat Recommended
"'A Taste of Honey' has everything it needs to be a galvanizing show...However...this show lacked the electric anger and the gritty desperation that was integral to the culture at the time and is much needed to energize this production...It's frustrating to see such a miss. If you want to see an unchallenging production of a great play, this might be for you. You might even have a few chuckles. But you won't leave the theatre changed."
